Mrs. Bindle: Some Incidents from the Domestic Life of the Bindles
Mrs. Snarch took her seat at the harmonium, fidgetted about with her skirts and blinked near-sightedly at the book of carols, which seemed disinclined to remain open. The others grouped themselves about her.

There was a medley of strange sounds, as each member of the party took the necessary steps to ensure purity of vocal tone. Added to this, Mr. Dykes pulled his collar away from his throat and stretched his neck upwards, as if to clear a passage for the sound he intended to send forth. Mr. Goslett pushed his sandy moustache up from his full lips with the back of his right forefinger, whilst Miss Stitchley moistened and remoistened her thin, colourless lips.

Then they joined together in song.

After a preliminary carol, in which no one seemed to take any particular interest, they got off well together with "Good King Wenceslas," a prime favourite at the Alton Road Chapel.

This evening it proved an enormous success.

Miss Stitchley's shrillness clashed with Mrs. Bindle's sharpness more than in the preceding carol. Mr. Hearty shut his eyes more tightly and was woollier, Mr. Dykes got more breath behind his boom, and[Pg 73] Mrs. Dykes made more mistakes in her "harmony." Mr. Goslett raised his head higher, looking more than ever like a chicken drinking, whilst Miss Death's thin, upper notes seemed to pierce even Mr. Dykes's boom, just as they put Miss Lamb, always uncertain as to pitch, even further off her stroke.

[Pg 73]

Still, everyone enjoyed it immensely. Even Mrs. Stitchley, who confessed that she was "no 'and at singin'," croaked a few husky notes, as she sat acutely upright, due to a six-and-elevenpenny pair of stays she had bought that afternoon, nodding her head and beating time.

Mrs. Stitchley never lost an opportunity of making clear her position in regard to music.

"I'm musical, my dear," she would say. "It's in the fambly; but I don't sing, I 'as spasms, you know." She volunteered this information much as a man might seek to excuse his inability to play the French horn by explaining that he is addicted to bass viol.

"Now that's what I call a carol," said Mrs. Stitchley, endeavouring to prevent the upper portion of her stay-busk from burying itself in her flesh. Then, with sudden inspiration, she cried, "Encore! Encore!" and made a motion to clap her hands; but the 
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