Thinking of his own gods, a Greek

In pity and mournful awe might stand

Beside some fallen Runic stone,

For both were gods, and both are gone.

And surely no creed is more savage, cruel, and worthy of death than Borrow’s belief in a God who “knew where to strike,” and deliberately struck Scott by inducing Robinson to speculate in hops, and so bring down his Edinburgh associate, Constable, and with him Sir Walter! Such was the religion which Borrow expressed in the style of a writer in a fourth-rate country newspaper. We might prefer the frank Heathenism of the Red Beard to the religion of the author of “The Bible in Spain.”

There is no denying that Scott had in his imagination a certain mould of romance, into which his ideas, when he wrote most naturally, and most for his own pleasure, were apt to run. It is one of the charms of “The Pirate” that here he is manifestly writing for his own pleasure, with a certain boyish eagerness. Had we but the plot of one of the tales which he told, as a lad, to his friend Irving, we might find that it turned on a romantic mystery, a clue in the hands of some witch or wise woman, of some one who was always appearing in the nick of time, was always round the corner when anything was to be heard. This is a[Pg xviii] standing characteristic of the tales: now it is Edie Ochiltree, now Flibbertigibbet, now Meg Merrilies, now Norna, who holds the thread of the plot, but these characters are all well differentiated. Again, he had types, especially the pedantic type, which attracted him, but they vary as much as Yellowley and Dugald Dalgetty, the Antiquary, and Dominie Sampson. Yellowley is rather more repressed than some of Scott’s bores; but then he is not the only bore, for Claud Halcro, with all his merits, is a professed proser. Swift had exactly described the character, the episodical narrator, in a passage parallel to one in Theophrastus. In writing to Morritt, Scott says (November 1818): “I sympathise with you for the dole you are dreeing under the inflictions of your honest proser. Of all the boring machines ever devised, your regular and determined story-teller is the most peremptory and powerful in his operations.”

[Pg xviii]

“With what perfect placidity he submitted to be bored even by bores of the first water!” says Lockhart. The species is one which we all have many opportunities of studying, but it may be admitted that Scott produced his studies of bores with a certain 

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