I'm foolish, and don't know much,—so, dear lady, pray for me!" And old Elsie bent her knee and crossed herself reverently, and then went out, leaving her young charge still sleeping.

It was yet dusky dawn when she might have been seen kneeling, with her sharp, clear-cut profile, at the grate of30 a confession-box in a church in Sorrento. Within was seated a personage who will have some influence on our story, and who must therefore be somewhat minutely introduced to the reader.

30

Il Padre Francesco had only within the last year arrived in the neighborhood, having been sent as superior of a brotherhood of Capuchins, whose convent was perched on a crag in the vicinity. With this situation came a pastoral care of the district; and Elsie and her grand-daughter found in him a spiritual pastor very different from the fat, jolly, easy Brother Girolamo, to whose place he had been appointed. The latter had been one of those numerous priests taken from the peasantry, who never rise above the average level of thought of the body from which they are drawn. Easy, gossipy, fond of good living and good stories, sympathetic in troubles and in joys, he had been a general favorite in the neighborhood, without exerting any particularly spiritualizing influence.

It required but a glance at Father Francesco to see that he was in all respects the opposite of this. It was evident that he came from one of the higher classes, by that indefinable air of birth and breeding which makes itself felt under every change of costume. Who he might be, what might have been his past history, what rank he might have borne, what part played in the great warfare of life, was all of course sunk in the oblivion of his religious profession, where, as at the grave, a man laid down name and fame and past history and worldly goods, and took up a coarse garb and a name chosen from the roll of the saints, in sign that the world that had known him should know him no more.

Imagine a man between thirty and forty, with that round, full, evenly developed head, and those chiseled features, which one sees on ancient busts and coins no less than in the streets of modern Rome. The cheeks were31 sunken and sallow; the large, black, melancholy eyes had a wistful, anxious, penetrative expression, that spoke a stringent, earnest spirit, which, however deep might be the grave in which it lay buried, had not yet found repose. The long, thin, delicately formed hands were emaciated and bloodless; they clasped with a nervous eagerness a rosary and crucifix of 

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