Agnes of Sorrento
ebony and silver,—the only mark of luxury that could be discerned in a costume unusually threadbare and squalid. The whole picture of the man, as he sat there, had it been painted and hung in a gallery, was such as must have stopped every person of a certain amount of sensibility before it with the conviction that behind that strong, melancholy, earnest figure and face lay one of those hidden histories of human passion in which the vivid life of mediæval Italy was so fertile.

31

He was listening to Elsie, as she kneeled, with that easy air of superiority which marks a practiced man of the world, yet with a grave attention which showed that her communication had awakened the deepest interest in his mind. Every few moments he moved slightly in his seat, and interrupted the flow of the narrative by an inquiry concisely put, in tones which, clear and low, had a solemn and severe distinctness, producing, in the still, dusky twilight of the church, an almost ghostly effect.

When the communication was over, he stepped out of the confessional and said to Elsie in parting, "My daughter, you have done well to take this in time. The devices of Satan in our corrupt times are numerous and artful, and they who keep the Lord's sheep must not sleep. Before many days I will call and examine the child; meanwhile I approve your course."

It was curious to see the awestruck, trembling manner in which old Elsie, generally so intrepid and commanding, stood before this man in his brown rough woolen gown with his corded waist; but she had an instinctive perception32 of the presence of the man of superior birth no less than a reverence for the man of religion.

32

After she had departed from the church, the Capuchin stood lost in thought; and to explain his revery, we must throw some further light on his history.

Il Padre Francesco, as his appearance and manner intimated, was in truth from one of the most distinguished families of Florence. He was one of those whom an ancient writer characterizes as "men of longing desire." Born with a nature of restless stringency that seemed to doom him never to know repose, excessive in all things, he had made early trial of ambition, of war, and of what the gallants of his time called love,—plunging into all the dissipated excesses of a most dissolute age, and outdoing in luxury and extravagance the foremost of his companions.

The wave of a great religious 
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