degradation of that marriage she had emerged triumphantly, sweet and unsullied, and she had succeeded in bringing her son, Jock McChesney, out into the clear sunlight with her. The evenings spent with T. A. Buck, the man of fine instincts, of breeding, of proven worth, of rare tenderness, filled her with a great peace and happiness. When doubts assailed her, it was not for herself but for him. Sometimes the fear would clutch her as they sat before the fire in the sitting-room of her comfortable little apartment. She would voice those fears for the very joy of having them stilled. "T. A., this is too much happiness. I'm—I'm afraid. After all, you're a young man, though you are a bit older than I in actual years. But men of your age marry girls of eighteen. You're handsome. And you've brains, family, breeding, money. Any girl in New York would be glad to marry you—those tall, slim, exquisite young girls. Young! And well bred, and poised and fresh and sweet and lovable. You see them every day on Fifth Avenue, exquisitely dressed, entirely desirable. They make me feel—old—old and battered. I've sold goods on the road. I've fought and worked and struggled. And it has left its mark. I did it for the boy, God bless him! And I'm glad I did it. But it put me out of the class of that girl you see on——" "Yes, Emma; you're not at all in the class with that girl you see every day on Fifth Avenue. Fifth Avenue's full of her—hundreds of her, thousands of her. Perhaps, five years ago, before I had worked side by side with you, I might have been attracted by that girl you see every day on Fifth Avenue. You don't see a procession of Emma McChesneys every day on Fifth Avenue—not by a long shot! Why? Because there's only one of her. She doesn't come in dozen lots. I know that that girl you see every day on Fifth Avenue is all that I deserve. But, by some heaven-sent miracle, I'm to have this Emma McChesney woman! I don't know how it came to be true. I don't deserve it. But it is true, and that's enough for me." Emma McChesney would look up at him, eyes wet, mouth smiling. "T. A., you're balm and myrrh and incense and meat and drink to me. I wish I had words to tell you what I'm thinking now. But I haven't. So I'll just cover it up. We both know it's there. And I'll tell you that you make love like a 'movie' hero. Yes, you do! Better than a 'movie' hero, because, in the films, the heroine always has to turn to face the camera, which makes it necessary for him to make love down the back of