her neck." 

 But T. A. Buck was unsmiling. 

 "Don't trifle, Emma. And don't think you can fool me that way. I haven't finished. I want to settle this Fifth Avenue creature for all time. What I have to say is this:  I think you are more attractive—finer, bigger, more rounded in character and manner, mellower, sweeter, sounder, with all your angles and corners rubbed smooth, saner, better poised than any woman I have ever known. And what I am to-day you have made me, directly and indirectly, by association and by actual orders, by suggestion, and by direct contact. What you did for Jock, purposefully and by force, you did for me, too. Not so directly, perhaps, but with the same result. Emma McChesney, you've made—actually made, molded, shaped, and turned out two men. You're the greatest sculptor that ever lived. You could make a scarecrow in a field get up and achieve. Everywhere one sees women over-wrought, over-stimulated, eager, tense. When there appears one who has herself in leash, balanced, tolerant, poised, sane, composed, she restores your faith in things. You lean on her, spiritually. I know I need you more than you need me, Emma. And I know you won't love me the less for that. There—that's about all for this evening." 

 "I think," breathed Emma McChesney in a choked little voice, "that that's about—enough." 

 Two days before the date set for their very quiet wedding, they told the heads of office and workroom. Office and workroom, somewhat moist as to eye and flushed as to cheek and highly congratulatory, proved their knowingness by promptly presenting to their employers a very costly and unbelievably hideous set of mantel ornaments and clock, calculated to strike horror to the heart of any woman who has lovingly planned the furnishing of her drawing-room. Pop Henderson, after some preliminary wrestling with collar, necktie, spectacles, and voice, launched forth on a presentation speech that threatened to close down the works for the day. Emma McChesney heard it, tears in her eyes. T. A. Buck gnawed his mustache. And when Pop Henderson's cracked old voice broke altogether in the passage that touched on his departed employer, old T. A. Buck, and the great happiness that this occasion would have brought him, Emma's hand met young T. A.'s and rested there. Hortense and Henry, standing very close together all through the speech, had, in this respect, anticipated their employers by several minutes. 

 They were to be away two weeks only. No one knew just where, except that some small part of the 

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