The Invisible FoeA Story Adapted from the Play by Walter Hackett
pictures and music as he did about nerves, and could chat with as much suave authority about Tintoretto and Liszt, motif and chiaro-oscuro as he could about diphtheria or Bell’s palsy, and was as much at his old friend’s service in matters of art as in matters of cerebellum and aorta. Bransby cared nothing for horses, and liked dogs just “well enough”—out of doors. He was a book-worm—with one author, scarcely more. He was indifferent to his dinner, and he cared nothing at all for flowers. This last seems strange and contradictory, for the women he had loved had each been peculiarly flowerlike. But who shall attempt to gauge or plumb the contradictorinesses of human nature, or be newly surprised at them?

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chiaro-oscuro

Richard Bransby had loved three women passionately, and had lost them all. He was no skeptic, but he was rebel. He could not, or he would not, forgive God their death, and he grudged the Heaven, to which he doubted not they had gone, their presence. Nothing could reconcile or console him—although two strong affections (and beside which he had no other) remained to him; and with them—and his books—he patched his life and kept his heart just alive.

He loved the great ship-building business he had created, and steered through many a financial tempest, around rocks of strikes and quicksands of competition, into an impregnably fortified harbor of millionairedom, with skill as devoted and as magnificent as the skill of a Drake or the devotion of a Scott, steering and nursing some great ship or tiny bark through the desperate straits of battle or the torture perils of polar ice floes.

And he loved Helen whom he had begotten—loved her tenderly for her own sweet, lovable sake, loved her more many times, and more quickly, for the sake of her mother.

He cared nothing for flowers, but he had recognized clearly how markedly the three women he had adored (for it had amounted to that) had resembled each a blossom. His mother had been like a “red, red rose that blooms in June”—a Jacqueminot or a Xavier Olibo. And it was from her he had inherited the vivid personality of his youth. She had died suddenly—when he had been in the City, chained even then to the great business he was creating—boy of twenty-three though he was—and his hot young heart was almost broken; but not quite, for Alice, his wife, had crept into it then, a graceful tea-rose-like creature, white, pink-flushed, head-heavy with perfume. Violet, his only sister, had been a pale, pretty thing, 
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