student Danforth and myself above all others—were to face a hideously amplified world of lurking horrors which nothing can erase from our emotions, and which we would refrain from sharing with mankind in general if we could. The newspapers have printed the bulletins we sent from the moving plane, telling of our nonstop course, our two battles with treacherous upper-air gales, our glimpse of the broken surface where Lake had sunk his mid-journey shaft three days before, and our sight of a group of those strange fluffy snow cylinders noted by Amundsen and Byrd as rolling in the wind across the endless leagues of frozen plateau.

There came a point, though, when our sensations could not be conveyed in any words the press would understand, and a later point when we had to adopt an actual rule of strict censorship.

The sailor Larsen was first to spy the jagged line of witchlike cones and pinnacles ahead, and his shouts sent every one to the windows of the great cabined plane. Despite our speed, they were very slow in gaining prominence; hence we knew that they must be infinitely far off, and visible only because of their abnormal height.

Little by little, however, they rose grimly into the western sky, allowing us to distinguish various bare, bleak, blackish summits, and to catch the curious sense of phantasy which they inspired as seen in the reddish antarctic light against the provocative background of iridescent ice-dust clouds.

In the whole spectacle there was a persistent, pervasive hint of stupendous secrecy and potential revelation. It was as if these stark, nightmare spires marked the pylons of a frightful gateway into forbidden spheres of dream, and complex gulfs of remote time, space, and ultradimensionality. I could not help feeling that they were evil things—mountains of madness whose farther slopes looked out over some accursed ultimate abyss.

That seething, half-luminous cloud background held ineffable suggestions of a vague, ethereal beyondness far more than terrestrially spatial, and gave appalling reminders of the utter remoteness, separateness, desolation, and æon-long death of this untrodden and unfathomed austral world.

It was young Danforth who drew our notice to the curious regularities of the higher mountain sky line—regularities like clinging fragments of perfect cubes, which Lake had mentioned in his messages, and which indeed justified his comparison with the dreamlike suggestions of primordial temple ruins, on cloudy Asian mountaintops so subtly and strangely painted by 

 Prev. P 26/97 next