Medusa's coil
curiosity conquered everything, and I walked around to where de Russy stood. Then I saw the damnable thing.

I did not faint, though no reader can possibly realize the effort it took to keep me from doing so. I did cry out, but stopped short when I saw the frightened look on the old man's face. As I had expected, the canvas was warped, moldy, and scabrous from dampness and neglect; but for all that I could trace the monstrous hints of evil cosmic outsideness that lurked all through the nameless scene's morbid content and perverted geometry.

It was as the old man had said: a vaulted, columned hell of mingled Black Masses and witches' sabbats, and what perfect completion could have added to it was beyond my power to guess. Decay had only increased the utter hideousness of its wicked symbolism and diseased suggestion; for the parts most affected by time were just these parts of the picture which in nature—or in that extra-cosmic realm that mocked nature—would be likely to decay or disintegrate.

The utmost horror of all, of course, was Marceline; and as I saw the bloated, discolored flesh I formed the odd fancy that perhaps the figure on the canvas had some obscure, occult linkage with the figure which lay in quicklime under the cellar floor. Perhaps the lime had preserved the corpse instead of destroying it—but could it have preserved those black, malign eyes that glared and mocked at me from their painted hell?

And there was something else about the creature which I could not fail to notice—something which de Russy had not been able to put into words, but which perhaps had something to do with Denis' wish to kill all those of his blood who had dwelt under the same roof with her. Whether Marsh knew, or whether the genius in him painted it without his knowing, none could say. But Denis and his father could not have known till they saw the picture.

Surpassing all in horror was the streaming black hair, which covered the rotting body, but which was itself not even slightly decayed. All I had heard of it was amply verified. It was nothing human, this ropy, sinuous, half-oily, half-crinkly flood of serpent darkness. Vile, independent life proclaimed itself at every unnatural twist and convolution, and the suggestion of numberless reptilian heads at the out-turned ends was far too marked to be illusory or accidental.

The blasphemous thing held me like a magnet. I was helpless, and did not wonder at the myth of the gorgon's glance which turned all beholders to stone. Then I thought I saw a 
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