assez, sachiez (except l. 28712), nor is the grave accent placed upon the open e of apres, jammes, &c. Occasionally the diaeresis is used to separate vowels; and the cedilla is inserted, as in modern French, to indicate the soft sound of c where this seems certain, but there are some possibly doubtful cases, as sufficance, naiscance, in which it is not written. With regard to the use of capital letters, some attempt has been made to qualify the inconsistency of the MS. In general it may be said that where capitals are introduced, it has been chiefly in order to indicate more clearly the cases where qualities or things are personified. It has not been thought necessary to indicate particularly all these variations. The punctuation is the work of the editor throughout; that of the MS., where it exists, is of a very uncertain character. [Pg lxxi] [Pg lxxi] Contractions, &c., are marked in the printed text by italics, except in the case of the word et, which in the MS. is hardly ever written in full except at the beginning of a line. In such words as ꝑest, ꝑfit, ꝑfaire, there may be doubt sometimes between per and par, and the spelling of some of them was certainly variable. Attention must be called especially to the frequently occurring -o̅n̅ as a termination. It has been regularly written out as -oun, and I have no doubt that this is right. In Bozon’s Contes Moralizés the same abbreviation is used, alternating freely with the full form -oun, and it is common in the MSS. of the Confessio Amantis and in the Ellesmere MS. of the Canterbury Tales (so far as I have had the opportunity of examining it), especially in words of French origin such as devocioun, contricioun. In the French texts this mode of writing is applied also very frequently to the monosyllables mon, ton, son, bon, don, non, as well as to bonté, nonpas, noncertein, &c. The scribe of the Mirour writes doun in full once (24625) with do̅n̅ in the same stanza, in Bal. xxi. 4 noun is twice fully written, and in some MSS. of the Traitié (e.g. Bodley 294) the full form occurs frequently side by side with the abbreviation. A similar conclusion must be adopted as regards a̅n̅ (annum), also written aun, gla̅n̅, da̅n̅cer, and the termination -a̅n̅ce, which is occasionally found. BALADES. The existence of the Cinkante Balades was first made known to the public by Warton in his History of English Poetry, Sect. xix, his attention having been drawn to the MS. which contains
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