D

http://www.amazon.com/exec/obidos/ASIN/0765304368/downandoutint-20

So, what’s with this file? Good question. 

I’m releasing the entire text of this book as a free, freely redistributable e-book. You can download it, put it on a P2P net, put it on your site, email it to a friend, and, if you’re addicted to dead trees, you can even print it. 

Why am I doing this thing? Well, it’s a long story, but to shorten it up: first-time novelists have a tough row to hoe. Our publishers don’t have a lot of promotional budget to throw at unknown factors like us. Mostly, we rise and fall based on word-of-mouth. I’m not bad at word-of-mouth. I have a blog, Boing Boing (http://boingboing.net), where I do a lot of word-of-mouthing. I compulsively tell friends and strangers about things that I like. 

And telling people about stuff I like is way, way easier if I can just send it to ’em. Way easier.

What’s more, P2P nets kick all kinds of ass. Most of the books, music and movies ever released are not available for sale, anywhere in the world. In the brief time that P2P nets have flourished, the ad-hoc masses of the Internet have managed to put just about everything online. What’s more, they’ve done it for cheaper than any other archiving/revival effort ever. I’m a stone infovore and this kinda Internet mishegas gives me a serious frisson of futurosity. 

Yeah, there are legal problems. Yeah, it’s hard to figure out how people are gonna make money doing it. Yeah, there is a lot of social upheaval and a serious threat to innovation, freedom, business, and whatnot. It’s your basic end-of-the-world-as-we-know-it scenario, and as a science fiction writer, end-of-the-world-as-we-know-it scenaria are my stock-in-trade.

I’m especially grateful to my publisher, Tor Books (http://www.tor.com) and my editor, Patrick Nielsen Hayden (http://nielsenhayden.com/electrolite) for being hep enough to let me try out this experiment.

All that said, here’s the deal: I’m releasing this book under a license developed by the Creative Commons project (http://creativecommons.org/). This is a project that lets people like me roll our own license agreements for the distribution of our creative work under terms similar to those employed by the Free/Open Source Software movement. It’s a great project, and I’m proud to be a part of it. 

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